Full and empty, shadow and light. Working by subtraction to create a clear and sinuous geometry of underlined absences. Asymmetry is the key. It’s the turning point of a lamp that generates different effects according to how it is positioned. Calvino lives in continuous dichotomy, in a kind of game of Chinese shadows that run after each other on a wall, suggesting something both linear and elegant. A circular mirror to be positioned as you please, to both light and capture the surrounding space.
